A space for learning, creating, and connecting through photography
Join us!
Realtime, live, and interactive small‑group photography classes, with students participating from around the world.
featured programs
Miss the live book release event? Watch the video on our Youtube channel: The Synthetic Eye: Photography Transformed in the Age of AI with Fred Ritchin and Brian Palmer [more info]
The Photobook Show with Stefan Frank is a series of free talks that looks at recent (and not-so-recent) photobooks and how they advance the medium. [more info]
Subscribe to StrudelmediaLive’s YouTube channel for recordings of photo talks, books and zines by our students, and more!
coming soon
Photo Classes
Online Class
Adventures in Still Life
6 Fridays start Jan 16, 2026
Online Class
Photography with Mixed Media: Developing a Personal Visual Style
Only 2 spots left
5 Tuesdays start Jan 20, 2026
Online Class
“The Optical Unconscious”: Adventures in Surrealist Photography
Only 2 spots left
6 Wednesdays start Jan 28, 2026
Online Class
An Interior View
6 Thursdays start Jan 29, 2026
Online Class
Diving Deep: A Monthly Mentoring Group
6 Mondays start Feb 2, 2026
What our students say about our teachers
Lesly's class was great, very inspiring and gave my daily life and family pictures a real purpose. I see the photos in a more artistic way now rather than just being there to document our life and family, and it feels good!
—Lara (France)
This class was spectacular. Liz is spectacular. She is such an organized and patient teacher. I’m so excited to practice and experiment with the techniques she introduced us to.
—Kirsten (Canada)
I really enjoyed Néstor’s class! He is great at giving us focus and direction.
—Ellen (New York City)
Since I haven't had the opportunity to study photography formally, I needed a course that would help me acquire an awareness of the composition skills I was thinking about unconsciously. Anja helped me improve my observation skills, both explaining the main elements of composition, with reference to the techniques used by other photographers, and through shooting exercises and group critique, which took me, week after week, to intentionally compose the frame in order to develop a narrative.
—Gianluca (Italy)
