To the American art critic Rosalind Krauss, Surrealism has played a pivotal role in the development of art in the past 100 years. And in her landmark work, The Optical Unconscious, she developed the idea that photography has played a central role in Surrealism — for her, photography is the most surreal of the arts.

In five chapters (“Formlessness,” “Base Materialism,” “Horizontality,” “Pulse,” and “Entropy”), we follow her ideas and look at how photographers have picked up on ideas of the Surrealists and developed them even further. We’ll look at, among others, work by Lucas Blalock, Duane Michals, Sarah Moon, Aaron Siskind — and in five assignments we’ll use their work and ideas as an inspiration and starting point for our own photography.

This is a new class, so it’s for everyone — whether you’ve taken Stefan’s earlier Surrealism classes or not.