Classes Teachers Books/Zines Photo_Talks Scholarships Santa Fe Retreat

Classes

Winter Photography Classes

Our live, interactive, and instructor-led photography classes take place online in small groups generally limited to 6 to 8 students. We give each other feedback in real time, with students participating live from around the world.

We offer classes that specialize in storytelling, long-term projects, documentary and street photography, environmental portraits, making photobooks/zines, composition, still life, multimedia, and technical courses in Lightroom, InDesign, Premiere Pro and more.

ONLINE COURSE

Mentoring Intensive for the Photographic Project

Stefan Frank

Dates: Wednesdays, Jan 8–March 19, 2025

Time: 1–3pm (ET)

Sessions: 6 (Class meets every other week: Jan 8, 22; Feb 5, 19; March 5, 19)

Limited enrollment: 6 students

Fee: $550

Only 1 spot left

In general, the process of creating a photo project is that you take pictures, decide which ones work and which ones don’t, and finally put them together as a book, installation, exhibition, website gallery, or article. Sometimes, as you’re working on a project, though, it can become difficult to see through the haze of all your images and to feel that you really know what you should be photographing, what you still need, what the edit and sequence should be, and the best final form for the project. In this mentoring group, no matter where you are in your photographic project, we’ll look for paths toward clarity together, using six case studies of classical and not-so-classical projects (e.g. Robert Frank’s “The Americans,” Michael Schmidt’s “Un-ity”). We’ll develop tools that help you get through the different stages of the life-cycle of a project. This class is best for those with a project underway and want support, or those with a rough idea of one (and some initial images) and seek guidance. Please note: enrollment for this mentoring class is limited to 6 students.

Loved Stefan’s class! I really appreciate the mix of hands-on work — a.k.a. making photos — and his more conceptual lectures. For me that is the ideal combination.

—Cristina (Chicago)

Thank you for guiding us down the Surrealism path. I had fun and enjoyed the course — I will be revisiting the “tool box” to feel more comfortable with Surrealism! I look forward to taking another class with you in the future.

—Alan (Minnesota)

Stefan Frank

Stefan Frank is a photographer and writer, working from Heidelberg, Germany. Way before he came to photography, he studied mathematics and philosophy at Ruhr Universität Bochum and worked as an IT specialist. He studied at Atelier Smedsby with JH Engström and Margot Wallard in Paris in 2017, before he eventually began studying photography at Ostkreuzschule, Berlin, with Peter Bialobrzeski. He graduated in 2023 with the work Irgendwo (“Anywhere”), a project dealing with politically motivated crime and the terror-spree of the far right in Germany. He has been teaching with StrudelmediaLive since 2020, giving courses on surrealism, poetics of space, gestalt theory for photographers, and more. His work has been exhibited in Heidelberg, Frankfurt, and Berlin.

Stefan teaches the poetics of space, nighttime photography, and much more (including presenting The Photobook Show) for StrudelmediaLive.

vierundsechzig.de/f64/

Mini-Workshop

A Better Tool for Black and White? Meet Silver Efex Pro

Kai McBride

Dates: Sunday, Jan 12, 2025

Time: 1–2pm (ET)

Sessions: 1

Fee: $39

This mini-workshop is an introduction to Nik Collection’s Silver Efex Pro — a plugin for Photoshop and Lightroom designed particularly for black-and-white photographers. In one hour, Kai McBride will give an overview of this sophisticated program, demonstrate its powerful monochrome-specific controls, and explain how he finds it especially compelling for adding depth and drama to digital captures. Whether you are a veteran of the darkroom looking to emulate film work of the past, or a more recent convert to digital B&W photography, Silver Efex Pro is worth a close look.

Mini-Workshops may have higher enrollment than our other classes.

I would like to thank you for a great course! It’s really going to help me move my way forward, although I'm not ready yet to be able to publish a whole book. What made this great was the amount of effort, time and thought you put into it, especially given the short duration. I have enjoyed and learnt a lot from the two courses I have taken with you and I will keep my eye open on Studelmedia for other courses you may be giving.

—Brendan (Mexico City)

Today, sadly, is the last of Kai’s B&W class — it has been great and he’s an excellent teacher. I rejuvenated some of my Photoshop skills which have been dormant and learned a lot.

—Lisa (New York)

Kai McBride

Kai McBride is a photographer, musician, teacher, and avid cyclist who recently uprooted from Brooklyn to sunny Santa Fe, New Mexico. He spent the last ten years teaching photography and managing the photo facilities at Columbia University, his alma mater, where he received an MFA in 2008.

Born on the island of Kauai in 1972, by his 18th birthday Kai had lived in California, Oregon, Mississippi, Wisconsin, Texas, Oahu, North Carolina, and Massachusetts. He sharpened his powers of observation while adjusting to life between suburban ranch-style homes, cabins with no running water, and a 20-foot teepee in the field of a commune.

His photographs have been exhibited in museum and gallery exhibitions, and are held in public and private collections. His first monograph, About Face: Picturing Tampa, was published by SPQR Editions in Fall 2016.

Kai teaches black and white photography, photobooks, and more for StrudelmediaLive.

kaimcbride.com

Evening Class

Examining Time in Photography: Memory, Ephemerality, and Permanence

Kat Shannon

Dates: Thursdays, Jan 16–March 27, 2025

Time: 7–9pm (ET)

Sessions: 6 (Class meets every other week: Jan 16, 30; Feb 13, 27; March 13, 27)

Limited enrollment: 8 students

Fee: $455

Photography swings on the unique pendulum between the past and the present. More so than any other medium, time is a thread within and throughout each photograph we encounter, simultaneously signifying preservation and endless loss. What happens, though, when we examine that thread more closely, and turn our gaze towards the notion of time as the very subject of the photographic work we create? In this course, students will do just that. Through lectures and exercises, students will create a visual photographic diary to explore the concept of time in ways that are visual, linear, abstract, and serial. This class is intended for those who want to begin or continue a photographic practice of examining time, memory, ephemerality, and permanence.

Many thanks to all of you who have accompanied me on my photographic journey with your great knowledge and empathy in the StrudelmediaLive workshops this year — embroidery with Jolanda Drukker Murray, cyanotype with Claudia Cortínez, the class about joy and pathos of everyday life with Allen Frame, and also photography as a pilgrimage with Kat Shannon.

—Barbara (Zurich)

I thoroughly enjoyed Kat’s class. I think she’s very personable and a good teacher. Her lessons were always interesting, and the readings and information about various photographers opened up a new area for me re: “pilgrimaging” with my camera. And her critiques were always helpful. Very glad I took the class and I’ve signed up for her next class.

—Susan (New York City)

Kat Shannon

Kat Shannon is a multidisciplinary artist, curator, and educator working in photography, text, and video, currently based between São Paulo, Brazil, and Orlando, Florida. Her work examines notions of intimacy, human connection, gender, community, and culture. She holds degrees in photography from Savannah College of Art and Design (BFA) as well as Bard College (MFA).

Kat has held teaching positions at Yeshiva University, Brookdale College, Stetson University, Middlesex College, and ICP, and previously worked for three years as the head curator at an art consultancy in New York. In 2017 Kat co-founded the collaborative artist collective Memory Foam through which she curates exhibitions, publishes and collects artists' books and zines, and produces an artist interview series called “Artists Eat Ice Cream.”

Kat teaches Ways of Seeing, Photography as Pilgrimage, and other personal vision classes for StrudelmediaLive.

katshannon.com

Handmade Accordion Bindings for Photobooks

ONLINE COURSE

Handmade Accordion Bindings for Photobooks

Elizabeth Castaldo

Dates: Saturdays, Jan 25–Feb 15, 2025

Time: 11am–1pm (ET)

Sessions: 4

Limited enrollment: 8 students

Fee: $375

Advance or begin your exploration of handmade photobooks with this 4-session class where you’ll learn all about accordion structures. We’ll begin with folding concepts and hinging together multiple pages to make a longer accordion book, then move on to creating a book that can be adapted so the pages can frame your photos. We’ll make an elegant leporello accordion with a hard cover, and finish up with a fun flag book. Methods of getting photographs and other content onto pages will be discussed, along with suggestions for different types of paper, including inkjet papers. We’ll also look at examples of photobooks that use the accordion format. Students can choose to create their own project that will be presented during the last class session.

Please note: A list of materials and tools you'll be provided before the beginning of class.

Elizabeth is a wonderfully patient teacher! I am excited to now have an object in my hand that I believe not only reflects my images, but connects and combines them into a story.

—Barbara (Zurich)

I can’t tell you how much I enjoyed taking the class with Elizabeth over the last several weeks. I think she did excellent job teaching through the Zoom platform. She was very professional and also very personal. I also appreciate that recordings are available after the fact, because there was a lot of information. I’m glad I can review it and make notes for myself. I would love to see Elizabeth teach another class on making more book structures in the future. I know there are other things that she could teach us, and I would be happy to sign up for another session. I’m so glad I stumbled on the StrudelmediaLive platform!

—Deborah (Troy, NY)

Elizabeth Castaldo

Elizabeth Castaldo is an artist, printmaker, and bookbinder based in Peekskill, NY and New York City. She has completed residencies at the Center for Book Arts (New York City) and Printmaker’s Open Forum (Oxford, PA). Castaldo received her MFA from Savannah College of Art and Design (SCAD) Atlanta where she was a Dean’s Fellow in Printmaking, and her BFA from the School of Visual Arts. In November 2020, her solo exhibition, Proximate Magic, was presented at Saint Joseph’s College in Patchogue, NY. Her work was included in the traveling exhibition, Freed Formats: The Book Reconsidered and she organized the exchange portfolio Earth/Mother for the SGCI 2020 conference “Puertografico.” She teaches printmaking and book arts at Parsons School of Design, Nassau Community College, and the Center for Book Arts. Her work is held in many private and institutional collections including SCAD, Yale University, The University of Alberta, and Carnegie Melon University.

Elizabeth teaches hand-made books for StrudelmediaLive.

elizabethcastaldo.com

Photographing Intimacy / Photographing Relationships

ONLINE COURSE

Photographing Intimacy / Photographing Relationships

Chloe Scout Nix

Dates: Tuesdays, Jan 28–March 4, 2025

Time: 12–2pm (ET)

Sessions: 6

Limited enrollment: 8 students

Fee: $455

Photography can be a very intimate medium, especially for those working with themes of family, (self-)portraiture, and personal relationships. And over a lifespan, one’s sense of intimacy — and how to express it in a photographic practice — can fluctuate with growth, life experience, a changing world, and aging. Let’s explore together our personal definitions and experiences with intimacy, as they relate to and affect our artistic practice. How has intimacy changed with the rise of technology? After a global pandemic? During the height of AI? Through a combination of weekly lecture, photography and writing prompts, and readings, you’ll be encouraged to apply what you discover, with the goal of deepening your work. Each class session features a theme that we’ll explore, along with ongoing critical dialogue. This class is ideal for students working on a long term project or those just getting started on one.

photo by Julia Kokernak

Chloe Scout Nix

Chloe Scout Nix is an artist and performer from Waxahachie, Texas, currently living in Brooklyn. She graduated with her MFA in photography from Pratt Institute and received her BFA in visual arts, with a minor in art history, from Southern Methodist University. Her conceptual work focuses on acts of performative intimacy using various modes of performing for the camera that often result in self portraiture. She received the Dallas Museum of Art’s Clare Hart DeGolyer Memorial Fund award in 2019, and the Standard Club Award that Makes a Difference in 2018. Her 2024 thesis exhibition, sorry for the mess, curated by Jody Graf, was displayed at the Pratt Photography Gallery in Brooklyn, with a selection of images also exhibited at Clamp gallery in Chelsea (NYC) as part of the group show Everything is Something, curated by Allen Frame.

Chloe teaches photographing intimacy for StrudelmediaLive.

chloescoutnix.com

Sequencing Techniques for Photographs: Concepts and Workflow

ONLINE COURSE

Sequencing Techniques for Photographs: Concepts and Workflow

Kai McBride

Dates: Mondays, Feb 3–March 3, 2025

Time: 1–3pm (ET)

Sessions: 5

Limited enrollment: 8 students

Fee: $405

Sold Out

This class is sold out — but email us to join the wait list and we’ll let you know of any openings.

Explore the creative possibilities of shaping your individual photographs into a new cohesive form through sequencing. Whether you’re preparing for a portfolio review, creating a gallery for your website, laying out prints for an exhibition, working on a photobook, making diptychs/triptychs, or devising a slideshow for an artist talk, it’s vitally important to be able to organize your photographs in a way that will amplify the meaning of the work for your audience. Through editing and sequencing exercises, we’ll examine image-to-image connections, devise unexpected juxtapositions, group pictures into storytelling narratives, and craft compelling photo essays. Lectures will include analysis of sequences from published works by established photographers and discussion of how to approach the daunting task of editing with a specific goal in mind. We will be working with a combination of provided images, pictures from the student’s own archive, and for a few assignments, taking new photographs to complete sequences. Students do not need a finished body of work to take this class.

—Brendan (Mexico City)

Today, sadly, is the last of Kai’s B&W class — it has been great and he’s an excellent teacher. I rejuvenated some of my Photoshop skills which have been dormant and learned a lot.

—Lisa (New York)

Kai McBride

Kai teaches black and white photography, photobooks, and more for StrudelmediaLive.

kaimcbride.com

Architecture and Narrative: A Sense of Place

ONLINE COURSE

Architecture and Narrative: A Sense of Place

Marianne Holm Hansen

Dates: Tuesdays, Feb 4–March 11, 2025

Time: 1–3pm (ET)

Sessions: 6

Limited enrollment: 8 students

Fee: $455

How can we use the genre of architectural photography to tell a more personal story of place? This course invites you to engage with the built environment to develop your photography skills, style, and practice overall. We will consider architecture as both metaphor and subject as you focus your camera on sites that are significant to you. You’ll develop a short series, or narrative, that moves beyond creating a faithful photographic representation of the built environment and that includes your personal story, response to, and experience of the place. This course is suitable for anyone who wants to engage creatively with an architectural environment, space, place, and narrative. We’ll draw inspiration from artists and photographers, past and present, to consider camera techniques, composition, and sequencing, as your work develops through weekly exercises, discussions, and critique.

I enjoyed very much the workshop, Marianne is really good, the feedback and her comments helped me a lot in my personal work, I wish I had more classes with her…. this course was a breath of fresh air.

—Lorena (Mexico)

Thank you so much Marianne for this wonderful class! Adding text to my images isn’t something that I’ve ever done, but after this class I really like what I can do with images and stories. I also loved the structure of the class, how, step by step, we got to understand about adding text to images. Thank you for sharing your work, it's so creative! And the other work you showed was original and gave me a lot to think about.

—MG (Brooklyn)

Marianne Holm Hansen

Marianne Holm Hansen is a Danish artist based in London. She studied at the Fynske Academy of Fine Arts (Denmark), International Center of Photography (New York), and completed an MA in Interactive Media: Critical Theory and Practice, at Goldsmiths, University of London. She has worked internationally as an editorial photographer, photography lecturer and educator, and today collaborates continuously with institutions such as Tate Modern and the Royal Institute of British Architects (London) to deliver workshops and projects that invite participants to engage critically and creatively across media and themes.

Marianne’s work is shown internationally through exhibitions, publications, and live events. She has received awards from the Pollock-Krasner Foundation (New York) and Arts Council England, amongst others, and held research and production residencies in the UK, USA, France, Finland, and Serbia. Her most recent book, Void As (A) – A Proposition, collates photographs with texts to propose a series of prompts for thinking differently about language, time and space.

Marianne teaches combining image and text, and how to use architectural space to tell a story for StrudelmediaLive.

criticalm.org/

Mini-Workshop

Getting the Best Out of Your iPhone Camera

Néstor Pérez-Molière

Dates: Sunday, Feb 9, 2025

Time: 1–2pm (ET)

Sessions: 1

Fee: $39

As they say, “the best camera in the world is the one that’s in your pocket.” In this workshop students learn how to best use their iPhone’s camera app to elevate their photos from casual snapshots to frame-worthy personal images using only an iPhone. We’ll cover all the different modes of capturing images: manual settings like aperture, shutter speed, and more — and how to best use all of your lenses, and the many different options available before pressing the shutter. This Mini-workshop is appropriate for artists, journalists, and others who need to maximize the quality of their iPhone photography.

Mini-Workshops may have higher enrollment than our other classes.

I loved Néstor's class, and in general found that he created a welcoming and supportive course, with lots of great practical advice about our projects. I also appreciated the pace. I find lately that I want to dive deep, and for his class it was helpful to focus on one or two images. And his feedback helped me focus on refining a couple of ideas.

—Cristina (Minneapolis)

The class was great. Néstor is a wonderful teacher, encouraging, critical in the right ways, and super nurturing. I enjoyed class with him so much.

—Kamal (New York City)

Néstor Pérez-Molière

Néstor Pérez-Molière was born and raised in San Juan, Puerto Rico, and currently resides in The Bronx. His practice takes place mainly in the realm of photography, but also incorporates performance, drawing, video, installation, and intaglio techniques. All of these are used in unison as he turns his camera on himself and delves into self-portraiture, exploring his relationship with his body, body image ideals, and food relationships as subject matter.

Nestor has an MFA from Hunter College and holds a BSc in botany. He was part of the Artist in the Marketplace and Creative Capital’s Taller mentorship programs, and was part of The Bronx Museum of the Art’s Fourth Biennial. He has exhibited at the Museo de las Américas, the Clemente Soto Vélez Cultural and Educational Center, Longwood Gallery, and the Liga de Artes de San Juan. He currently teaches digital and darkroom photography at the International Center of Photography and The Point CDC.

Néstor teaches lighting for still life and more for StrudelmediaLive.

ndpmoliere.com

ONLINE COURSE

Diving Deep: A Monthly Mentoring Group

Anja Hitzenberger

Dates: Mondays, Feb 10–June 2, 2025

Time: 12–3pm (ET)

Sessions: 6 (Group meets once per month on the following 5 Mondays: Feb 10; March 10; Apr 7; May 5; June 2, plus a private 1-on-1 session)

Limited enrollment: 6 students

Fee: $595

This intimate mentoring group meets once per month and is for photographers and media artists who are looking for long-term support and continuity while working on a project. We’ll look at different approaches to storytelling and what to consider when working on a long-term project — from story structure, composition, editing, research, to different documentary and conceptual approaches. Each student receives individual feedback, and we’ll also discuss how to best present each student’s final project: on the web, in book form, an exhibition, or as a multimedia piece. A guest speaker (to be announced) will present their work and share their experience. This class is limited to 6 students only and each session runs for 3 hours with a 10 minute break. Includes a private 1-on-1 session.

Please note: Students should either be working on a project, or have a project idea at the beginning of the class. To be accepted to this class, please submit a selection of at least 10 images or a link to your website and a short project description (100 words maximum) to anja@strudelmedialive.com.

I've been enjoying all of the courses that I take through StrudelmediaLive. I find them motivating and fun, and I feel part of a community. You are building something wonderful.

—Cristina (Minneapolis)

We just returned from a week away and found my zine waiting for me! I love it! Many thanks to you both and especially Edward for your time, expertise and patience as I began to learn InDesign. I am grateful and appreciative!

—Lisa (New York)

Anja Hitzenberger

Anja Hitzenberger is a photographer, filmmaker, consultant, and educator. She is the founder of StrudelmediaLive, an educational platform that offers live online photography classes and more to people around the world. Anja studied in the Creative Practice full-time program at the International Center of Photography (ICP) in New York City, and has been on the faculty there since 2009. She is dedicated to working with people from different cultures across the globe.

Her work has been exhibited in solo and group shows, film festivals, and on theater stages throughout Europe, the United States, South America, and Asia. Her photography has been published internationally and is a part of both private and institutional collections, including the International Center of Photography. She has received numerous artistic grants and has been awarded residencies in Rome, Paris, Warsaw, Beijing, and Tainan (Taiwan). A focus of her activities has been working with live performance, including producing a multimedia piece that toured in New York City, Austria, and Korea.

Anja has been teaching live online photography classes since 2015, as well as in-person workshops in New York, Europe, China, and Taiwan. Originally from Salzburg, Austria, she divides her time between New York and Vienna.

Anja teaches visual storytelling, environmental portraits, critique groups, and how movies can inspire your photography for StrudelmediaLive.

anjahitzenberger.com

Things on Tables: An Introduction to the Conceptual Still-Life

ONLINE COURSE

Things on Tables: An Introduction to the Conceptual Still‑Life

Stefan Frank

Dates: Thursdays, Feb 13–March 20, 2025

Time: 1–3pm (ET)

Sessions: 6

Limited enrollment: 8 students

Fee: $455

Only 2 spots left

The power and beauty of the still life — the arrangement of inanimate objects and the myriad stories and conceptual or symbolic meanings — has fascinated people for centuries. When photography began, still life immediately became a focus, as evidenced in William Henry Fox Talbot’s 1844 Pencil of Nature (the first commercially published photobook ever) featuring things arranged on shelves and tables. In this course, in addition to historical examples, we’ll look at how contemporary photographers like Lucas Blalock, Ishiuchi Miyako, Lorenzo Vitturi, Laia Abril, and Robert Cumming approach the still life and how they use this ancient genre to tell new stories. In weekly exercises, you’ll learn and experiment with different ways to work with and expand on different approaches to the still life. While our emphasis will be on the conceptual aspect, we’ll also look at more practical issues, like how to use a simple lighting setup at home that will help you get the best out of your approaches.

Loved Stefan’s class! I really appreciate the mix of hands-on work — a.k.a. making photos — and his more conceptual lectures. For me that is the ideal combination.

—Cristina (Chicago)

—Alan (Minnesota)

Stefan Frank

Stefan teaches the poetics of space, nighttime photography, and much more (including presenting The Photobook Show) for StrudelmediaLive.

vierundsechzig.de/f64/

Cyanotype: Techniques and Experimental Applications

ONLINE COURSE

Cyanotype: Techniques and Experimental Applications

Daura Campos & Samanta Ortega

Dates: Wednesdays, Feb 19–Apr 2, 2025

Time: 11am–1pm (ET)

Sessions: 6 (No class on March 5)

Limited enrollment: 8 students

Fee: $455

Cyanotype printing and its magical qualities — developed almost 200 years ago — has come back into the spotlight in recent years. Known for its distinct blue tones, this process is one of the most diverse photographic techniques, accessible to both beginners and devoted enthusiasts. In this comprehensive course designed for photographers and artists eager to explore this process, we’ll dive into the world of cyanotypes with a focus on paper and fabric materials. You’ll learn the skills for working with chemicals, materials, exposure, choosing photographs, and composing prints — as well as post-production and intervention experiments that make each piece of work unique. We will provide a solid understanding of the foundations, and then introduce a collection of alternative possibilities for expanding on your work with techniques such as toning with plant extractions, collage, and painting. Each session brings an assignment for students to practice with, followed by feedback, culminating in a final project. By the end, you’ll have a broader perception of the possibilities of cyanotype and a portfolio showcasing your work.

Please note: A list of materials you'll need will be provided before the class starts.

Daura and Samanta were a winning tag team combination of enthusiasm, encouragement about everyone’s work, brainstorming the outcomes of assignments and providing real-time solutions, superb materials, and being well-organized in their presentation. I could go on and on, but I can offer no higher compliment than that they are pros at teaching and sharing.

—Kevin (New Jersey)

Daura and Samantha have mastered the not-so-easy task of teaching a class in craft processes very well. They were a good team and guided us through the different processes of cameraless photography with a lot of enthusiasm, youthful drive, and excitement. The documents we received were excellent. Both of them were also very helpful and guided our first steps in a benevolent manner. I really enjoyed the course, I had a lot of fun trying out the different methods, and the results are impressive.

—Barbara (Zurich)

Daura Campos

Daura Campos is a visual artist and photographer based in Belo Horizonte, Brazil. In her practice, she investigates social issues through experimental photographic techniques, pushing against expectations of representation and exploring what is often left unseen. Her process allows analog film to exist as a reactive being beyond a medium of choice and aims to ignite discourse about our relationship with photography and society.

Daura has exhibited at the CICA Museum (South Korea), MK Gallery (England), Rotterdam Photo (Netherlands), Pinakothek der Moderne (Germany), Museum of Art of Pereira (Colombia), Gallery 44 (Canada), and Open Eye Gallery (England), among others. Her work has been recognized by the IPA – The International Photo Awards — with an Official Selection Prize (2024), Analog Sparks Awards with second place in the Technique category (2024), a high commendation from The JUST Art Award (2023), and others.

Daura teaches alternative processes for StrudelmediaLive.

dauracampos.com

Samanta Ortega

Samanta Ortega is a laboratory scientist, photographer, and art educator based in São Paulo, Brazil. Integrating the past, present, and future of the history of photographic processes, she is dedicated to exploring and sharing research on plant-based photographic developers in an experimental approach to film manipulation and studies within photochemistry. By valuing analog photography that is based on the reuse of materials and simplification of processes, she addresses accessible alternatives in spaces with different infrastructures and audiences of a wide age range and levels of knowledge. She has taught at institutions including SESC (Brazil), Pinacoteca de São Bernardo do Campo, and at analog photography festivals and independent cultural spaces focused on film photography throughout Brazil.

Samanta teaches alternative processes for StrudelmediaLive.

alquimiafotografica.co

Create Your Own Zine or Photobook with InDesign

Evening Class

Create Your Own Zine or Photobook with InDesign

Edward Ratliff

Dates: Wednesdays, Feb 19–Apr 23, 2025

Time: 7–9pm (ET)

Sessions: 6 (This class has 5 group sessions plus a private 1-on-1 session and meets Wednesdays generally every other week: Feb 19; March 5, 19; Apr 2, 23)

Limited enrollment: 6 students

Fee: $495

Adobe’s InDesign is the most flexible and powerful application to design and layout a photobook or zine. This 6-session class is for students who are new to InDesign and also those who’d like a refresher to work on a project. We’ll discuss developing a visual concept to fit your specific story, and cover step-by-step instructions on workflow, how to best plan and setup a project, how to use the most important InDesign tools, and how to prepare, import, and resize photos.

We’ll discuss working with text, fonts, and typography, and you’ll learn to speak the language of printers and designers. You’ll also get recommendations for where to print your particular project. We’ll look at a variety of zines and photobooks for design inspiration and discuss different design ideas. Students will work on their projects throughout the course, so that by the end (depending on the scope of the project), you could have a layout ready to print. This class is limited to only 6 students to give individual attention to each person’s project. We’ll meet as a group for 5 sessions every other week, followed by a private 1-on-1 session to work together on your specific book or zine.

Please note: No prior knowledge of InDesign is required. Students should have a group of images ready to develop into a book or zine, or just to work with. Adobe's InDesign is available by a monthly subscription that can be stopped and started as you like.

I loved the class and learned so much — not just InDesign technical stuff, but also design and photography aesthetics… it was awesome!

—Bobby (Washington DC)

This has been a great class to finally learn how to put the many images that live on my computer in a book form — Edward lays out a clear and very helpful course to accomplish your own zine or book.

—MG (Brooklyn, NY)

photo by Anja Hitzenberger

Edward Ratliff

Edward Ratliff is a multi-disciplinary artist and educator. In the visual realm, he’s a graphic designer who works in print and digital media with clients ranging from individual artists to the Metropolitan Museum of Art. His film, video, and installation work has been exhibited internationally.

As a composer and multi-instrumentalist, he’s led bands in clubs, theaters, and festivals across New York City and in Europe and Asia, and has received numerous commissions and grants for dance and theater scores. His music has been heard in shows on Netflix, HBO, Nickelodeon, Hulu, PBS, and more — everything from a biography of Dostoyevsky to Real Sex Xtra. He “is best known for making richly cinematic music that captures New York City’s momentum and diversity” (The Wall Street Journal) and has been called “a wonderfully spunky and imperturbable trumpet player” (The New York Times).

Edward teaches movies as inspiration and using InDesign to create zines and books for StrudelmediaLive.

strudelmediadesign.com

edwardratliff.com

Mini-Workshop

Motherhood and Photography

Kat Shannon

Dates: Sunday, Feb 23, 2025

Time: 1–2pm (ET)

Sessions: 1

Fee: $39

In this one-hour workshop we explore the unique intersection of motherhood and photography by uncovering its history and probing our own personal practice. People have often looked to photography to witness the messy multitude of life, but how specifically has the camera been used as a tool in the ongoing gaze of our own motherhood? This workshop will center on lecture and discussion, featuring photographers, writers, and other visual artists who use motherhood as a subject, motif, or vehicle for transformation.

Mini-Workshops may have higher enrollment than our other classes.

—Barbara (Zurich)

—Susan (New York City)

Kat Shannon

Kat teaches Ways of Seeing, Photography as Pilgrimage, and other personal vision classes for StrudelmediaLive.

katshannon.com

An Exploration of Community Through Portraiture

Evening Class

An Exploration of Community Through Portraiture

Olga Ginzburg

Dates: Tuesdays, March 4–Apr 1, 2025

Time: 7:30–9:30pm (ET)

Sessions: 5

Limited enrollment: 8 students

Fee: $405

Photographing strangers can be a very effective way to get to know and engage with a community. Closeness and understanding — of people, and of a place (maybe your own community) — is the basis for making portraits that are intimate and revealing. But it can be difficult to photograph people you don’t know, to overcome the fear and uncertainty that comes with approaching and photographing strangers. In this course, we’ll examine the tools you need to navigate and overcome those fears. We’ll delve into questions and concerns that arise from the desire to photograph people we don’t know — people we’d like to know better, beyond just making a likeness of them. In our sessions, along with regular assignments, supportive critique, and discussion, we’ll take a deeper look into the work of Judith Joy Ross, Walker Evans, Christine Osinski, Joel Sternfeld, Alec Soth, and others — all of whom have worked in the tradition that we are navigating and adding to.

photo by Sandy Kenyon

Olga Ginzburg

Olga Ginzburg is a Belarusian-American photographer based in New York City. With an interest in open-ended narrative and its potential for subtle and layered meaning, her work explores notions of place, identity, home, community, and biculturalism. Olga graduated from the City College of New York, and her work has twice been included in the Triennial of Staten Island Photography at the Alice Austen House Museum (2019 and 2023). Since 2019, Olga’s work has appeared regularly in The New York Times and other leading news outlets and has been featured on ABC’s Eyewitness News 7 in New York City.

Olga teaches street portraits for StrudelmediaLive.

olgaginzburg.com

Mini-Workshop

Handmade Photo‑Zine Workshop

Elizabeth Castaldo

Dates: Sunday, March 16, 2025

Time: 12–3pm (ET)

Sessions: 1

Fee: $75

Zines are small books that are made quickly and cheaply (usually), and are often given away or sold for an affordable price. This 3-hour Mini-workshop is perfect for artists interested in exploring how making zines by hand can fit into their photography practice. We’ll go over how to make two different zine structures, as well as methods for creating layouts for them using either InDesign or Photoshop or analog options. Students can come ready with a sequence of 8 to 10 images or other content they would like to try out, and have a mockup in progress by the end of the class!

Mini-Workshops may have higher enrollment than our other classes.

Please note: You’ll need the following materials for this workshop: 7 sheets of letter sized printer paper, 1 sheet of letter-sized cardstock or construction paper, a bone folder (optional but helpful!), scissors, heavy-duty thread (such as embroidery, bookbinding, or other thicker thread), a sewing needle that works with your chosen thread, and a pencil. These materials are available at most art supply stores.

Elizabeth is a wonderfully patient teacher! I am excited to now have an object in my hand that I believe not only reflects my images, but connects and combines them into a story.

—Barbara (Zurich)

—Deborah (Troy, NY)

Elizabeth Castaldo

Elizabeth teaches hand-made books for StrudelmediaLive.

elizabethcastaldo.com

ONLINE COURSE

Handcrafting Light for Portraiture, Interiors, and Still Life

Néstor Pérez-Molière

Dates: Tuesdays, March 18–Apr 29, 2025

Time: 11am–1pm (ET)

Sessions: 6 (No class on April 15)

Limited enrollment: 8 students

Fee: $455

This class looks closely at lighting for photography and how best to manipulate and handcraft it. Through demonstrations and weekly assignments, students will learn how to use ambient and artificial light to illuminate subjects. Understanding how light behaves will allow us to manipulate it through reflection, diffusion, and blocking as we use common household items as well as readily available professional equipment. Portraiture, self-portraiture, environmental portraiture, interiors, and still life photography will be considered in this course. We will look for inspiration at a variety of artists who are successful at sculpting light in their works. Supported by in-class critique, this is a good opportunity to work on a project that involves the handcrafting of light, or simply experiment with different techniques each week.

—Cristina (Minneapolis)

The class was great. Néstor is a wonderful teacher, encouraging, critical in the right ways, and super nurturing. I enjoyed class with him so much.

—Kamal (New York City)

Néstor Pérez-Molière

Néstor teaches lighting for still life and more for StrudelmediaLive.

ndpmoliere.com

Rediscovering Your Forgotten Frames to Create New Work

ONLINE COURSE

Rediscovering Your Forgotten Frames to Create New Work

Helena Goñi

Dates: Fridays, March 21–May 2, 2025

Time: 11am–1pm (ET)

Sessions: 6 (No class on April 18)

Limited enrollment: 8 students

Fee: $455

Many of us have an overwhelming number of images in our archive — unused photos from earlier or unfinished projects, or just random pictures taken long ago. Explore the potential in your archive, whether you’re working on a project or wanting to start something new. Through weekly assignments, rediscover and repurpose those images by weaving them together with newly created ones to develop and find new stories and emotions in these forgotten frames. We’ll examine the work of artists, photographers, and writers — including Gerhard Richter, JH Engström, and Carmen Winant — who have dwelled in the past to create in the present. By the end of the course, you’ll have gained new tools to navigate and activate your archive and create meaningful connections with your current personal practice.

photo by Helena Goñi

Helena Goñi

Helena Goñi is an artist driven by analog processes in photography and is a photobook enthusiast. Helena is from Bilbao, Spain, and is currently based in Brooklyn, where she moved in 2021 thanks to a Fulbright Scholarship to attend the International Center of Photography.

She holds an MFA in Photography from Central Saint Martins (London) and a BA in Fine Arts from the University of the Basque Country. She has been an artist-in-residence at the Solomon R. Guggenheim Foundation, BilbaoArte Foundation, Cité des Arts (Paris), and Koganecho AIR (Japan). Her work has been exhibited at the Guggenheim Museum Bilbao, the International Center of Photography, 3331 Arts Chiyoda (Tokyo), PhotoMuseum Zarautz (Spain), Aldama Fabre Gallery and others. She is also the founder of Caleidoscopio, a photography educational platform for youth in the Basque Country.

Helena teaches working with your personal photo archive for StrudelmediaLive.

helenagoni.com

Mini-Workshop

Editing Your Pictures in iPhone’s Photos App

Néstor Pérez-Molière

Dates: Sunday, March 23, 2025

Time: 1–2pm (ET)

Sessions: 1

Fee: $39

Take your iPhone photography to a professional level by learning all about the editing tools available in the Photos app. We’ll cover all the basics, from adjusting exposure to noise reduction, to available filters, to the new AI-generated editing tools, as well as how to share these works of art with others. This Mini-workshop is appropriate for artists, journalists, and others who need to maximize the quality of their iPhone photography.

Mini-Workshops may have higher enrollment than our other classes.

—Cristina (Minneapolis)

The class was great. Néstor is a wonderful teacher, encouraging, critical in the right ways, and super nurturing. I enjoyed class with him so much.

—Kamal (New York City)

Néstor Pérez-Molière

Néstor teaches lighting for still life and more for StrudelmediaLive.

ndpmoliere.com

Evening Class!

Evening Class

Shake Up Your Photography!

Kai McBride

Dates: Mondays, March 24–June 2, 2025

Time: 6:30–8:30pm (ET)

Sessions: 6 (Class meets every other week: March 24; Apr 7, 21; May 5, 19; June 2)

Limited enrollment: 8 students

Fee: $455

This class will have you saying, “I never would have made photographs like these, and I love it!” Kai McBride has designed an all new series of prompts that will get you thinking in a fresh way about how you photograph. Whether you are still trying to find your photographic voice or are years into a large body of work, these assignments will challenge your approach to image-making and are guaranteed to knock you out of a creative rut and shake up your photography. Through group critique, we’ll analyze each student’s responses and we’ll seek inspiration by examining the work of a range of photographers. By the end of this class, you’ll be energized and inspired to expand your photographic vision. All fresh prompts, so this class is suitable for those who have taken one of Kai’s Shake-up classes before.

—Brendan (Mexico City)

Today, sadly, is the last of Kai’s B&W class — it has been great and he’s an excellent teacher. I rejuvenated some of my Photoshop skills which have been dormant and learned a lot.

—Lisa (New York)

Kai McBride

Kai teaches black and white photography, photobooks, and more for StrudelmediaLive.

kaimcbride.com

Daytime Class!

ONLINE COURSE

Shake Up Your Photography!

Kai McBride

Dates: Mondays, March 31–June 2, 2025

Time: 12–2pm (ET)

Sessions: 6 (Class meets on the following dates: March 31; Apr 14, 28; May 12, 19; June 2)

Limited enrollment: 8 students

Fee: $455 $410

Earlybird Special Extended! 10% off selected classes through Friday, Nov 22!

Sold Out

This class is sold out — but email us to join the wait list and we’ll let you know of any openings.

—Brendan (Mexico City)

Today, sadly, is the last of Kai’s B&W class — it has been great and he’s an excellent teacher. I rejuvenated some of my Photoshop skills which have been dormant and learned a lot.

—Lisa (New York)

Kai McBride

Kai teaches black and white photography, photobooks, and more for StrudelmediaLive.

kaimcbride.com

On the Waterfront: In-Person Weekend Workshop NYC

StrudelmediaLive Community Weekend in New York City

On the Waterfront: In‑Person Weekend Workshop NYC

Anja Hitzenberger

Dates: Apr 25–27, 2025

Time: 10am–5pm (ET)

Sessions: 4 (Friday, April 25 (afternoon), Saturday/Sunday, April 26–27, 10am–5pm (ET), with a follow-up online critique session on Sunday, May 4, 12–3pm (ET))

Limited enrollment: 12 students

Fee: $650

Join us for a weekend-long photographic exploration of the waterfront of New York City — discover the unexpected in a small group! This workshop is currently in planning — details coming soon — but there will be something new to experience for everyone. Email us if you’re interested in joining this workshop.

Fri, April 25: 2-4pm (ET)

A special curated gallery tour with the StrudelmediaLive community, followed by a social get-together.

Sat/Sun, April 26/27: 10am–5pm (ET)

Over two days, you’ll discover the fascinating and varied waterfronts of New York City. Join us as we explore NYC’s iconic watery realms — mostly by ferry!

Activities on both days will be held outdoors as much as possible.

Sun, May 4: 12–3pm (ET)

The following Sunday, we’ll meet online to discuss and critique your fresh NYC photographs.

Please note: Make sure to wear good shoes because we'll be walking a good amount.

I've been enjoying all of the courses that I take through StrudelmediaLive. I find them motivating and fun, and I feel part of a community. You are building something wonderful.

—Cristina (Minneapolis)

—Lisa (New York)

Anja Hitzenberger

Anja teaches visual storytelling, environmental portraits, critique groups, and how movies can inspire your photography for StrudelmediaLive.

anjahitzenberger.com

Previous Classes

See something you’re interested in? Let us know!

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